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Archive for October, 2009

Dance Always Finds a Way

Tuesday, October 27th, 2009 by malashockdance

With the economy in the tank, funding drying up and corporate and individual donations taking a nosedive, you think it would be a safe bet that local dance companies and artists would be performing less. Not true. Outside of the traditional stages, theaters and civic centers, San Diego dance performances are on the rise.

Dance N’ Dine, 4×4xFloor (formerly 4×4), The Movement and San Diego Dances have become a welcome addition to the San Diego dance scene. Sponsored by The PGK Project, these dance performances take place at restaurants, bars, cultural centers and, in the case of San Diego Dances, a different venue every six months (DK Hair Salon in November).

These performances unite a diverse group of companies and artists who, mostly likely, would not cross paths otherwise. Recently, Malashock Dance promoted their concert SURFACE TENSION at The Movement, The PGK Project presented a work-in-progress of a piece they will premiere at San Diego Dances, d’shire dance collective showcased a reworking of a solo at 4×4xFloor and Colette Harding highlighted her company at Dance N’ Dine this past month. Also on the list, Mojalet Dance Collective, Bradley R. Lundberg, OLIO, Natasha Ridley, Khamla Somphanh, Heather Dale, somebodies dance theater, among others.

Equally important – no one dances for free. Proceeds from donations taken at the door and raffle tickets sold during the showcase, go directly to the companies or artists performing that evening. The raffle serves as an important promotional opportunity for upcoming events as well. Sponsors can donate classes, theater tickets, and other items that promote their businesses to a new audience.

Dancemakers have never been stifled by a mere lack of funding. We’re used to that – it only makes us more creative, more resilient and more inventive. Dance always finds a way!

Michael Mizerany
Associate Artistic Director
Malashock Dance

For more information on 4×4xFloor, The Movement, Dance N’ Dine or San Diego Dances go to: thepgkproject.com/Calendar .

This post was originally written for DiscoverSD.com and published on 10/22/09.

What do the Directors do after a show ends?

Monday, October 19th, 2009 by malashockdance

Associate Artistic Director Michael Mizerany shares what it is like once the curtains have closed on a show—and what he does with the rest of his time.

What was the best part of seeing your choreography on stage?

Seeing WAYWARD GLANCES come together as a dance piece, as an idea.  Also, seeing the audience react the way I wanted them to react—you never know how the audience will respond to a dance piece!

What do you like most about SURFACE TENSION being over?

I don’t have to stress anymore about my first time premiering a work with Malashock Dance!  And I don’t have to worry about compartmentalizing.  It was hard to dance in two pieces plus be the choreographer for another.

What do you like least about SURFACE TENSION being over?

Now I have to go back to the day-to-day work of running the company: booking tour dates, talking with presenters, making sure the information on our website is up to date.

What is going on now that SURFACE TENSION has ended?

Our performance for Classics 4 Kids is coming up in just three weeks—It’s never over!  I am also back to the administrative side of my job.

Check out EVERYBODY WANTS YOU , an excerpt from the Malashock Dance performance of Michael Mizerany’s WAYWARD GLANCES :


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