Artistic Director John Malashock watches as company dancers rehearse new choreography for The Floating World
The one thing you can usually predict with the creative process is that it will, most likely, never go where you expected or planned for it to go.
Two and a half weeks into creating material for The Floating World, I have as much to learn as anyone about what is developing. I have nine different sections I am working on so far and there were some mornings that I chose what music I was going to choreograph to, literally minutes before starting rehearsal. Not that I am into a random, chance-oriented choreographic process (like Merce Cunningham), but it has certainly kept me on a creative ‘edge’ and forced me to just go with whatever comes out.
On the other hand, I do still find that my work usually comes out most effectively when I have characters and some kind of story to convey – rather than more abstract movement – and that has proven the case in these couple of weeks. Some of my simplest ideas seem to be the strongest. I just have to decide which these I really like, but this work period was always intended to be exploration rather than ‘final’ and, hey, nobody is going to force me to keep the work if I don’t like it.
John Malashock
Artistic Director, Malashock Dance
