Posts Tagged ‘keith johnson’

Malashock Blog Series: Behind The Curtain - 4 Sundays in February 2012 v.1

Monday, January 30th, 2012 by Scott M.
Behind The Curtain is a unique opportunity to get exclusive insight into the inner workings of Malashock Dance performances, programs, and events through first-person accounts from those that make them happen. From performers and choreographers to directors, producers, and beyond, our varied cast of contributors will provide an entertaining insiders look at what happens "behind the scenes" at Malashock Dance.
keith-photo2

4 Sundays in February (2/5/12) Master Class Instructor Keith Johnson talks about his start in dance and what students can expect in his class:

I was originally drawn to dance because I loved to move, to be physically active, and to push my physical limitations. I was curious about the artistic side of movement and how it involved the whole being of a person. I was an athlete prior to dancing and wasn’t concerned about anything other than the body.

I am motivated to teach and choreograph to express myself and what I am drawn to in dance. I like that my choreography is an extension of where I am at a particular point in my life. It can be influenced by many things that inspire me and/or motivate me.

A student can expect to move a lot in my class and that they will be expected to not lose their own identity in my process. I am interested in dancers that offer their individual ideas through movement and therefore the class becomes collaborative in nature. I like to challenge dancers both physically and artistically.

If someone hasn’t taken my class I would encourage them to come and ask a lot of questions , make mistakes, and have a lot of fun. It should be challenging but can also be accomplished at the level they are at in their own training. Looking forward to seeing you all there!

Malashock Blog Series: Behind The Curtain (Malashock Summer Intensive - v.9)

Friday, July 29th, 2011 by Scott M.

Behind The Curtain is a unique opportunity to get exclusive insight into the inner workings of Malashock Dance performances, programs, and events through first-person accounts from those that make them happen. From performers and choreographers to directors, producers, and beyond, our varied cast of contributors will provide an entertaining insiders look at what happens "behind the scenes" at Malashock Dance.

MALASHOCK ASSOCIATE ARTISTIC DIRECTOR MICHAEL MIZERANY WRAPS UP  THE SUMMER DANCE SAN DIEGO EXPERIENCE WITH HIS FINAL BLOG ENTRY


MALASHOCK SUMMER INTENSIVE PERSONAL BLOG POST #6

The Malashock Dance Summer Intensive ended a week ago. The three weeks seemed to fly by with bionic speed. It was a wonderful whirlwind of Technique, New Works, Repertory, and mini-workshops in Photography, Contact Improv, Acting for Dancers and Composition.

A special and heartfelt thanks to the all the awesome teachers we brought in for the Intensive: Keith Johnson, Jess Humphrey, Kim Walsh, Alisha McGraw, Julianne O’Brien Pedersen and Sara Rudner & Megan Boyd. They did amazing work.

The Summer Dance San Diego performance at SDSU went remarkably well. The theater was packed, the dancers were breathtaking and the audience was enthusiastic.

All the dance works looked terrific but special kudos go to my repertory groups. They were inspiring in TRIBES, unabashedly sensual in BAD COMPANY, stellar in THE FLOATING WORLD and deliciously evil in THE CURSE OF MILHAVEN.

As I remember my time with the students, I find myself recalling not only the great technical and artistic strides they maneuvered, but also how much fun we had. We worked hard, danced tirelessly and laughed endlessly.

Applesauce, Egg salad and Wonder bread! (The Intensive students will know what this means.)

Thank you for the fantastic experience. Can’t wait until next year!

Michael Mizerany
Associate Artistic Director, MALASHOCK DANCE

Malashock Blog Series: Behind The Curtain (Malashock Summer Intensive - v.8)

Friday, July 29th, 2011 by Scott M.

Behind The Curtain is a unique opportunity to get exclusive insight into the inner workings of Malashock Dance performances, programs, and events through first-person accounts from those that make them happen. From performers and choreographers to directors, producers, and beyond, our varied cast of contributors will provide an entertaining insiders look at what happens "behind the scenes" at Malashock Dance.


FACULTY MEMBER JESS HUMPHREY TALKS ABOUT HER EXPERIENCE TEACHING CONTACT IMPROVISATION AT THE 2011 SUMMER DANCE SAN DIEGO

I feel very lucky to have been a part of the Malashock Summer Intensive!

Contact improvisation often asks dancers to let go of so much - including excess muscle tone, habits around performing, fear, control…it can be overwhelming.

I felt so privileged to witness some of the dancers in their first experience of Contact, and to watch others continue their explorations. They were quite mature in their approach to the material and many returned even though they felt a bit confused. An off-kilter orientation and the willingness to know less and listen more are both highly valued qualities in contact improvisation.

I loved watching them "relearn" how to work with being off balance, falling, and sharing weight with others. I believe that some trust was built among them in an incredibly short time, and in our culture, that is a beautiful thing.

Three of them actually performed a short, scored improvisation on Friday night. Their willingness to bring their process into a performance setting was a beautiful thing to behold. I was captivated by their vulnerability during the show.

Lastly, Molly, John, Michael, and Scott are so great to work with. The level of respect and professionalism I experienced in their presence made it a pleasure to be around them, and to be a part of the intensive.

Thanks to all of you for another great experience this summer!

- Jess

Malashock Blog Series: Behind The Curtain (Malashock Summer Intensive - v.7)

Monday, July 25th, 2011 by Scott M.

Behind The Curtain is a unique opportunity to get exclusive insight into the inner workings of Malashock Dance performances, programs, and events through first-person accounts from those that make them happen. From performers and choreographers to directors, producers, and beyond, our varied cast of contributors will provide an entertaining insiders look at what happens "behind the scenes" at Malashock Dance.

SOME LIKE IT HOT PHOTOGRAPHER ALISHA MCGRAW TALKS ABOUT HER EXPERIENCE SHOOTING SUMMER DANCE SAN DIEGO

What a fabulously fun way to be a part of the Malashock Summer Intensive - taking dance photos!!

We spent some time talking with the dancers about what they can expect from us, how to prepare themselves for their photos, future experiences when photographers who don’t always ‘speak’ dance, and how to help them understand the goal of their photos.

The three of us (Holland, Geoff & I) started in the East room setting up our backdrops while the dancers had some time to cool off and style themselves. It was nice to see that many were using suggestions from the lecture about make-up, hair and outfits. They certainly looked great for only having 24 hours notice to gather the things they needed.

Each dancer had a headshot at first (and I won’t lie - there are a few dancers who I’d trade eyes with any day!)

The window light made them all just pop.  I am kind of in love with the studio - its a photographer’s dream lighting situation. And it was during the headshots when the flow of photography really began.

Once they finished their headshot, dancers prepared themselves for what we called "body shots" on our black backdrop. The goal was to show off the muscles and arches we noticed yesterday while looking at the students during the lecture portion.

We also got a sneak peek at some choreography they were learning and knew we had some talented dancers that would be able to show us nice lines and flexibility.

Holland was taking the body shots, Geoff was rocking the lighting, and I helped with tips to improve the poses for lighting and dimension purposes. The dancers really brought some creative ideas, and even utilized some partner and floor work as well. I do hope they all take a nice hot relaxing bath, because after holding those poses for us, at the end of an already extraneous week, my guess is they may wake up a little sore tomorrow.

After working their faces for headshots, and exhausting their muscles doing ‘photography yoga’ holding poses, it was finally time for jumps! Molly gave us a great idea, suggesting we use the arched corridor downstairs. We scouted the area and she was right - it was perfect!!!

First, we did a group shot, and then we started the leaping fun. They dancers looked fabulous, technique classes were really paying off. They had beautiful lines and pointed feet in their jumps, and since their muscles were all warm from the posing, their splits and C pops were at their optimum!

Oh, and did I mention, we went a little over time, but it was worth every minute. We wanted to make sure each dancer felt content before we left.

Thanks again to everyone at Malashock for inviting us to be part of the summer intensive! And thank you to the dancers for being open to our ideas and willing to work so hard even after we were supposed to be done! We can’t wait to show off the photos!

Best,

Alisha

Alisha McGraw

Malashock Blog Series: Behind The Curtain (Malashock Summer Intensive - v.6)

Tuesday, July 12th, 2011 by Scott M.

Behind The Curtain is a unique opportunity to get exclusive insight into the inner workings of Malashock Dance performances, programs, and events through first-person accounts from those that make them happen. From performers and choreographers to directors, producers, and beyond, our varied cast of contributors will provide an entertaining insiders look at what happens "behind the scenes" at Malashock Dance.

MALASHOCK ASSOCIATE ARTISTIC DIRECTOR MICHAEL MIZERANY TALKS SUMMER DANCE SAN DIEGO


MALASHOCK SUMMER INTENSIVE PERSONAL BLOG POST #5

Great day today! Refined and cleaned much of the 1st week repertory work and it is looking great. I certainly will have to tape out the dimensions of the stage, especially for THE FLOATING WORLD but other than that – all were impressive.

I started to teach new repertory today. THE CURSE OF MILHAVEN from LOVE & MURDER as well as TRIBES.

I had forgotten what a truly twisted piece MILHAVEN is. The lyrics of the song are darkly humorous and wonderfully wicked. The song describes, in murderous detail, a young girl’s (Loretta’s) homicidal rampage on her small town. With lyrics like, “They found him next week in one mile creek, His head bashed in and his pockets full of stones” and “Then the next thing you know the head of handyman Joe, Was found in the fountain of the mayor’s residence,” you just can’t go wrong.

Plus, John M. brilliantly chose not to tell the story of the lyrics but to capture the impending doom and Loretta’s unapologetic glee at what she would consider, just some “adolescent shenanigans”.

The dancers are having a good time as well – embracing the movement and thematic elements with…well…unapologetic glee.

Well, I am off to dinner (all you can eat spaghetti and then roller skating). I’ll tell you a little bit more about TRIBES tomorrow.

Michael Mizerany

Associate Artistic Director, MALASHOCK DANCE

Malashock Blog Series: Behind The Curtain (Malashock Summer Intensive - v.5)

Monday, July 11th, 2011 by Scott M.

Behind The Curtain is a unique opportunity to get exclusive insight into the inner workings of Malashock Dance performances, programs, and events through first-person accounts from those that make them happen. From performers and choreographers to directors, producers, and beyond, our varied cast of contributors will provide an entertaining insiders look at what happens "behind the scenes" at Malashock Dance.

MALASHOCK ASSOCIATE ARTISTIC DIRECTOR MICHAEL MIZERANY TALKS SUMMER DANCE SAN DIEGO


MALASHOCK SUMMER INTENSIVE PERSONAL BLOG POST #4

Week #2 started today! Since Monday, July 4th was a holiday, we started our week on Tuesday, July 5th and ended it on Saturday, July 9th . For this grandpa dancer, one day was not enough to recover. Though, the scrappy youngsters were going full steam ahead with tireless energy and enthusiasm. This helped me find my second wind, as well as my third and fourth. I probably need to up my dosage of Ensure and Geritol Silver.

I spent most of the day refining and cleaning the repertory pieces — the first section of THE FLOATING WORLD and the 5th section of BAD COMPANY. They both are looking great but I knew I had to change the ending of BAD COMPANY. I needed a moment when a dancer is in mortal danger. So, I am having Raina run up Evan’s back, vault in the air to be caught by the other dancers. We rehearsed it probably 10 times to ensure safety before we did a full out run of the entire piece. It is very effective.

Tomorrow, I start on two new repertory works - The first section of TRIBES and the last section of LOVE & MURDER (THE CURSE OF MILHAVEN).

This was also the day that Sara Rudner started her new work. Unfortunately, I didn’t get to peek my head in the studio (we teach at the same time), but I am hearing amazing things about her from the intensive students.

Julianne O’Brien Pedersen will be teaching technique all week, so make sure to drop in and take class.

Michael Mizerany

Associate Artistic Director, MALASHOCK DANCE

Malashock Blog Series: Behind The Curtain (Malashock Summer Intensive - v.4)

Friday, July 8th, 2011 by Scott M.

Behind The Curtain is a unique opportunity to get exclusive insight into the inner workings of Malashock Dance performances, programs, and events through first-person accounts from those that make them happen. From performers and choreographers to directors, producers, and beyond, our varied cast of contributors will provide an entertaining insiders look at what happens "behind the scenes" at Malashock Dance.

MALASHOCK ASSOCIATE ARTISTIC DIRECTOR MICHAEL MIZERANY TALKS SUMMER DANCE SAN DIEGO


MALASHOCK SUMMER INTENSIVE PERSONAL BLOG DAY 3

Things are hopping, leaping and barrel-turning along at The Malashock Dance Summer Intensive. John taught technique class today so I had the morning off, but had to do some administrative work including some prep work for Malashock/RAW.

In the afternoon, I had repertory class with Group B. I am restaging the 1st section of John’s dance work, THE FLOATING WORLD (which is having its television premiere tonight on UCSD-TV). In the actual piece, there were six dancers. In Group B, there are 13 dancers, so I am being very creative with how I use the movement and space. For example, one of the duets has now become a trio. The group movement phrase for three couple is now being done by five couples. I will have to bring a shoehorn to fit them all on stage, but as Nike says, “Just do it!”

Later that day, I continued to restage the 5th section of my work, BAD COMPANY. Though the movement is very dense and complicated, the intensive students have been tearing up the floor. The first time we ran it today, Nick and I looked at each other and said, “That was good!”

Both pieces have turned out very well and the dancers are fierce! Make sure you attend the Summer Intensive Performance at SDSU on July 22nd .

Michael Mizerany

Associate Artistic Director, MALASHOCK DANCE

Malashock Blog Series: Behind The Curtain (Malashock Summer Intensive - v.3)

Friday, July 8th, 2011 by Scott M.

Behind The Curtain is a unique opportunity to get exclusive insight into the inner workings of Malashock Dance performances, programs, and events through first-person accounts from those that make them happen. From performers and choreographers to directors, producers, and beyond, our varied cast of contributors will provide an entertaining insiders look at what happens "behind the scenes" at Malashock Dance.

V.3 - MALASHOCK DANCE EDUCATION DIRECTOR MOLLY PURYEAR TALKS SUMMER INTENSIVE

Summer can be spent relaxing, enjoying lazy days, and basking in the San Diego sunshine…unless you are a dancer.

If you stop by The Malashock Dance School you will see a very different dynamic.

Dancers often use the summertime to participate in intensives and extra classes where they push themselves mentally and physically in order to reach new heights, and this is exactly what is currently happening over the three-week span of July 5 -22nd at The Malashock Dance School.

It is thrilling to be able to offer an outstanding roster of renowned dance faculty, who will provide participating dancers the highest level of training they might ever find in one place. They are working with John Malashock, Sara Rudner, Michael Mizerany, Keith Johnson, and Jess Humphrey among others, and are experiencing many different styles and approaches to modern dance.

It is with great joy that I witness these fearlessly dedicated young dancers work through the grueling schedule of technique, repertory, new choreography, and an acting class, and still complete the day with a smile. They should be smiling…they should be immensely proud of themselves for dedicating their lives (or at least their summer) to such a beautiful discipline. We are watching their growth and transformation over the next three weeks, and I look forward to sharing this experience with you through our blogs.

I just got a sneak-peek of some of the new choreography being worked on here at the Intensive. I don’t want to give anything away, but it’s going to be amazing three weeks. I shot some Flip-Cam video of the classes that we will post very soon, but I can say with certainty that our Summer Dance San Diego Student Showcase on July 22 is something NOT to be missed!

Molly
Molly Puryear, Education Director
Malashock Dance

Malashock Blog Series: Behind The Curtain (Malashock Summer Intensive - v.2)

Wednesday, July 6th, 2011 by Scott M.

Behind The Curtain is a unique opportunity to get exclusive insight into the inner workings of Malashock Dance performances, programs, and events through first-person accounts from those that make them happen. From performers and choreographers to directors, producers, and beyond, our varied cast of contributors will provide an entertaining insiders look at what happens "behind the scenes" at Malashock Dance.

Series # 6 - MALASHOCK ASSOCIATE ARTISTIC DIRECTOR MICHAEL MIZERANY TALKS SUMMER DANCE SAN DIEGO


MALASHOCK SUMMER INTENSIVE PERSONAL BLOG DAY 2

Now, let me tell you a story. I had a very painful leg cramp in my calf last night. I couldn’t move for about 5 minutes. I did manage to finally massage the cramp away but it is one of those things where it hurts so bad that you laugh in pain. Every dancer knows that feeling!

And today, I am sure many of the Malashock Dance Summer Intensive dancers knew exactly what I was going through. I saw the scrapes on their feet from technique class and the bruises on their knees from BAD COMPANY. Though, as one dancer put it, “Hey, that is why I am here — to be pushed to the limit!”

I have to admit, I am always amazed at how quickly dancers acclimate themselves to any particular style. My movement is very fast and leggy with extremely quirky (some may say illogical, I prefer unpredictable) changes of weight. It is so satisfying to see a student embrace and execute a complex technical phrase on the 2nd day of the intensive. That is definitely an “A-ha!” moment. (Note: An “A-ha!” moment is when you finally understand any given idea or concept, and you exclaim, “A-ha!”) There have been many “A-ha!” moments going on these past few days and I will make sure to share each and every one.

Michael Mizerany

Associate Artistic Director, MALASHOCK DANCE

Malashock Blog Series: Behind The Curtain (Malashock Summer Intensive)

Tuesday, July 5th, 2011 by Scott M.

Behind The Curtain is a unique opportunity to get exclusive insight into the inner workings of Malashock Dance performances, programs, and events through first-person accounts from those that make them happen. From performers and choreographers to directors, producers, and beyond, our varied cast of contributors will provide an entertaining insiders look at what happens "behind the scenes" at Malashock Dance.

Series # 6 - MALASHOCK ASSOCIATE ARTISTIC DIRECTOR MICHAEL MIZERANY TALKS SUMMER DANCE SAN DIEGO


MALASHOCK SUMMER INTENSIVE PERSONAL BLOG DAY 1

The Malashock Dance Summer Intensive started today. Wow! What an incredible experience. I cannot believe I am lucky enough to spend three weeks with these amazing students. They are smart, savvy and just a little bit sassy (probably the three best adjectives ever uttered and fun alliteration as well).

Here is recap of my day:

Of course, coffee and toast, that is a must. Then, hopped in my jalopy and was overjoyed when I made it to Dance Place in one piece. I wanted to arrive at the Malashock Dance Studio a little early to plan class and make sure our Education Director, Molly Puryear, had the help she needed. Not surprisingly, Molly had everything under control due to the fact that she is incredible and is an organizational dynamo.

When I walked in the studio at 10am, it was HOT! Then, add twenty-seven intensive participants, thrashed thoroughly by a Michael Mizerany technique class, and you get a roomful of sweaty, albeit incredible, dance students. I am also very fortunate to have Malashock Dance company member Nicholas Strasburg assisting me in both technique as well as repertory classes. Thanks, Nick!

In repertory, I am teaching the first section of John Malashock’s THE FLOATING WORLD and the last section of my work, BAD COMPANY, which premiere at Malashock/RAW last year. These pieces have some very difficult dance moves and the students were stellar.

Acting for Dancers is happening now, so I am going to go and take a peek. I’ll be teaching technique on Wednesday and Thursday and so come and get thrashed with the rest of the summer intensive students.

Michael Mizerany

Associate Artistic Director, MALASHOCK DANCE


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