Our Current Malashock Staff
Meet the Current Administrators of Malashock Dance
JOHN MALASHOCK brings 35 years of experience in dance, theater, and film to his current role as Artistic Director of Malashock Dance. He has created more than 70 choreographic works, dance/theater collaborations, theater and opera productions, and award-winning dance films. John founded Malashock Dance in 1988, after a distinguished performing career with Twyla Tharp’s company in New York, where he performed worldwide; appeared in the Academy Award-winning film Amadeus; was featured in numerous television specials, and performed in numerous concerts with Mikhail Baryshnikov.
Under John’s leadership, Malashock Dance has become one of California’s premiere dance companies, and his work has been presented throughout the United States, Central America, Japan, and Central Europe. Malashock has many notable collaborative credits to his name: he has choreographed productions at the La Jolla Playhouse and the Old Globe Theatre; his work has been commissioned by the San Diego Symphony, La Jolla Music Society, and San Diego Opera; and he has garnered six Emmy Awards for his dance films, which have aired on over 30 affiliate PBS stations nationwide.
John has served as guest faculty for the American Dance Festival, Cal State Long Beach, Dance Space New York, ADF/Tokyo, Connecticut College, and the University of Utah, among many others. A leader within the local and national dance communities, Malashock has served on the Board of Trustees for Dance USA and is proud to have taken the leadership role in conceiving, developing, and establishing Dance Place San Diego at Liberty Station, where he teaches classes and workshops throughout the year.
Molly Glynn Puryear
MOLLY GLYNN PURYEAR brings her passion for dance and experience in program management, development, and administration to her position. She was instrumental in the founding and development of the Malashock Dance School in 2007, and as Education Director from 2009 – 2014, she was responsible for all aspects of the School and community outreach programs. Now in the role of Executive Director, she has strategically aligned synergies between the artistic and educational pillars of the organization and fosters a dynamic relationship between programs, the communities they serve, and the organization’s valuable funders.
As an arts administrator, modern dancer, and instructor, Molly demonstrates uncompromising dedication to the art of dance. Molly received a BFA in Dance from the University of North Texas in 2003, where she primarily studied under Arleen Sugano, master instructor and co-author of Physics and the Art of Dance; and Robin Lakes. Molly has choreographed and performed for numerous local dance events, including Sound Dance Company and Push Process Movement Theory in San Diego. Molly is passionate about the inclusion of students with disabilities and was invited to present inclusive movement strategies at the National Conference on Inclusion in 2010, and 2013.
Ms. Puryear participated in the Fieldstone Foundation’s Non-Profit Leadership Learning Group in 2015, the Executive Coaching program in 2016, and the Executive Learning Group in 2018. She was selected to participate in the highly competitive Dance USA DILT (Dance Institute for Leadership Training) in 2015.
Ms. Puryear is committed to serving the community and proudly participated on the Steering Committee for San Diego Dance Connect, a local dance service organization, from 2014-2016. Molly currently serves on the Advisory Board for A Step Beyond in Escondido and on the Board of Directors for Art Produce. She is open to creative strategies to strengthen the arts community in San Diego, and values accountability, trust, and increasing access to the arts for people from all walks of life.
KELLY FLANSBURG’S philosophy is that we move for pleasure, communal bonding, and self-expression; dance in the arts provides growth in physical health, emotional maturation, social awareness, and cognitive development. She believes that all art forms are personal expressions that we choose to share with others. Individuals of all ages and abilities can show who they are through the arts and with our help through community outreach and teaching artists in schools we are able to share our talent and inspire others to do the same.
Kelly’s formal education in Creative Arts in Therapy with a concentration in dance therapy has provided her with numerous hands-on experiences with different ages and abilities. As a student, she was given the opportunity to work with at-risk adolescents, children with Autism Spectrum Disorder, and elderly with Parkinson’s Disease and Dementia. In addition, her dance training and dance teaching experience span over twenty years for all ages and abilities. Kelly was fortunate to attend the New York State Summer School of the Arts working with Carolyn Adams, Robert Battle, Julie Strandberg, Erika Pujic, and Danny Grossman. She also attended Complexions Contemporary Ballet Summer Intensive and Jacob’s Pillow. During college, Kelly was a company member for Nacre Dance Company reconstructing and performing work from our dance past including works of Isadora Duncan, May O’Donnell, Charles Weidman, and others. When living in New York City, Kelly had the pleasure of dancing with Bryce Dance Company, Jinah Parker Project: SHE, Earl Mosley, STREB Extreme Action and she is a co-founder of eSKay Arts Collective. Her goal as a teacher, dancer, and artist is to share my passion for movement and expression with others.
“To dance is to be out of yourself. Larger, more beautiful, more powerful… This is power, it is glory on earth and it is yours for the taking”
Agnes De Mille
School Operations Manager
KAELY GARRED graduated from Hope College with a degree in Dance Performance and Choreography and Business Management. While there, she performed with dANCEpROjECT and StrikeTime. Kaely also spent time in New York City interning with administrators for KEIGWIN + COMPANY and DAMAGEDANCE. After graduation, she found her place as assistant director of Vitality Dance Collective in Portland, Oregon. Vitality offered her a varied set of roles including choreographer, administrator, performer, teacher, and producer. Along with her passion for the art of dance, she brings her 5 years of administrative experience to Malashock.